- ― Then, a word about selecting songs one by one.
- Reiko: I have no reason. Maybe Dennis Edwards guys are basically sexy or soul-like. "Rappers D-LITE" has always been what I thought was good when I was in high school, so "Rainbow Room" was when I was in elementary school.
- -The difference between this 2nd and 3rd song is amazing.
- Reiko: Memories of elementary school. Then, even as I grew up, I gradually understood the meaning of poetry. I think "Mid night Love Call" had many affairs (laughs). I wanted to call in the middle of the night, so that's what it is (laugh). "Blue Gray Romance" was surprisingly good on TV Asahi Saturday Wide in the past, and this is also a couple of men and women with a 20-year-old difference, but at the end it is written by Takemi Shima. , Mr. Shima's poem is very good. I also wrote "Glass slope", but it was really good. This is a poem as if it was finally found.
- Sakamoto: You're a music advisor for "HEY!HEY!HEY!"
- Reiko: I like the feeling of down tempo. "Alamy the I Love You" is like California and I like poetry. Along with that, the "sweet sticky scene" feels the same. Fussa-like, American feel of "blue that is almost transparent". It's like a pop song disco. Rubber Limited also feels soul. The sound of those days feels good. Yumin is a youth in elementary school (laughs). Although I was an elementary school student in the bad times, I liked the drama because it was good. At the time of the 300 million yen incident. Maybe everyone in the dream likes Kuranosuke Hamaguchi.
- -What is the song order?
- Reiko: The song order doesn't matter at all. Do you have an idea? I feel like I went to culture (Bunka Fashion College) and came to the Tsubaki House connection.
- Sakamoto: The radius of action is the same. You were well, right? I didn't go so often, but I must go, almost every day.
- Reiko: There was I think we'll meet Tours and Red Shoes. Everybody goes when they go to shoes.
- Sakamoto: At around 4:30 in the morning, everything else will be gone.
- Reiko: Tommy's
- Sakamoto: You went well
- Reiko: Tommy's last song is Tatsuro Yamashita. I was relieved. I like Tatsuro, but I was ashamed of myself because I was a surfer. Ah, I like Carapano, Ceclio & Capono, and Tatsuro, but I can't say that, it's so bad. It feels like a new wave, but it looks like a surfer.
- Sakamoto: You took it off at a Pitecan table, right?
- Reiko: It's been over 20 years since I took it off.
- Sakamoto: Did you start taking off?
- -Is it on the floor? Did you take it off?
- Reiko: I think I took it off. Did you take it off at Monk Belize? Originally Monk Belize. Then came the camellia, Monk Belize, and so on.
- Sakamoto: It looks like Tommy is gone.
- Reiko: It looks like there are
- Sakamoto: scary.
- Reiko: True Shirin might be a symbol of the 1980s.
- Sakamoto: I was there every day. I used to go home after work. It's a symbol.
- Reiko: I've never been there, but Ikeya-san hasn't come, right? At that time I brought a couple from 1999. Those guys and the couple are doing the bar right now. So I heard a lot of people know about it, but both of us still dressed like Y's. I thought, "Oh! I'm still here!" The content of the conversation is also good. That's amazing. No one knows the topic of 1999, so I've never been there, so that's it.
- Sakamoto: I didn't go too much either. Somehow Reiko and Pitekan have a strong impression. Was that Dai-chan?
- Reiko: Does that mean Mr. Oji? Club Dee? That was a couple related to Shigeichi.
- ―You're gone Gentile, right?
- Reiko: I'm alive. On an Italian island.
- -Ah, right?
- Reiko: I did other things besides clothes and Shabby J. Basso is a small place. Ishihara-san couple. With a wife named Sachi...
- Sakamoto: ……Early fashion.
- Reiko: I know the story, but I'm too young. Then what about a silver spoon?
- Sakamoto: I went a little.
- Reiko: I only know after that.
- Sakamoto: It's a big guy. ? I had money. I think the silver spoon has the same impression.
- Reiko: The silver spoon is Suzuki of Sotheby. The naming is also amazing. What about Daikanyama's Swami?
- Sakamoto: I haven't gone Pitecan was amazing.
- Reiko: It was amazing.
- Sakamoto: There was a bit of fake art around there in the 80's, but it's gone. That was good, isn't it? Inchiquiato, with a little childish feel.
- Reiko: There was a Mexican restaurant there, and this was the first time I've been there since Sollegry. With the structure and arrangement as it was, I thought, "I'm so worried!" I miss that area. I wondered what it was like to be here in Sendagaya at Astro (?).
- Sakamoto: And then there was Cal de Sac (?).
- Reiko: I don't even know Cal de Sac, only the name.
- Sakamoto: I often went to Cal de Sac.
- -Isn't it now?
- Sakamoto: Absent. Below that was a bar radio.
- Reiko: Is there a radio?
- -I don't have it anymore. Over there.
- Sakamoto: But there are second and third stores, right?
- Reiko: But I don't listen to the radio. It's a bit like an old copywriter. Let's not say Kasbah. What kind of person is going?
- Sakamoto: Would you like to go for an interview?
- Reiko: radio?
- -That's it. I went there during the conversation with Miki.
- Sakamoto: The first time I saw Miki was probably the radio. First meeting on the radio. I took Keiko Takahashi (Keiko Sekine). So why is there a weird guy with a beautiful older sister who's into Zukazuka? I thought I was, and I had Pola, so it was crappy.
- Reiko: How many years ago was that?
- Sakamoto: Hmm? 30 years ago? What's over there! ? I thought I thought (laughs). That's the era. At that time you were a teenager?
- Reiko: I was 18 years old when I was in Pitekan. Go "culture".
- Sakamoto: You were 18 years old and you were dancing with your heart out?
- Reiko: Maybe it was 20? I started sharply when I was 20 (laughs). I was still a culture student.
- Sakamoto: It would have been fun to meet at that time. Because it's been like this since I met at Pitekan. It doesn't change.
- Reiko: But a different one?
- Sakamoto: Did you do female body height?
- -really? In Pitecan?
- Reiko: Isn't it Pitecan? I don't know... It hasn't changed.
- Sakamoto: It's crazy, crazy (laughs). Then, isn't it okay to do that?
*Entry is closed.
The numbers linked to her youth, such as 70's songs and soul, are slurried.
-
Don't look any further /
Dennis Edwards featuring Siedah Garrett -
Rapper's Delight /
Sugarhill Gang -
Midnight Love Call /
Seri Ishikawa -
Blue Gray Romance /
Seri Ishikawa -
Without knowing it /
Downtown Boogie Woogie Band -
Secret Secret Love /
Downtown Boogie Woogie Band -
You'll Never know /
Hi Gloss -
La La Means I Love You /
Delfonics -
Fade Out /
Kyoko Koizumi -
Walkin' in the Rain With the One I Love /
Love Unlimited -
Sweet sticky thing /
Ohio Players -
Good Luck and Goodbye /
Arai Yumi -
Please leave this /
Keiko Maruyama -
Everyone in a dream /
Kyoko Takada -
Bad times /
Kenji Sawada
